• Art & Copy, Pineapple Express, Stalker, Moneyball (45/21)

    by  • 1/21/2012 • 0 Comments

    ART & COPY – This almost makes me think that advertising has a higher purpose. I almost leave this documentary wishing there was more advertising that tell such true and honest stories about the products that they’re selling… Oh, wait, feeling’s gone. It’s an interesting look at how advertising happens – from the back room, [...]

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    Dumb and Dumber (41/20)

    by  • 1/20/2012 • 0 Comments

    DUMB AND DUMBER – I still prefer the soundtrack to the film, but it’s one of the rare Jim Carrey films that isn’t wretch-inducing. It’s silly and over the top, but this story of morons on a cross country trip is a classic as far as I’m concerned

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    Live Free or Die Hard (38/18)

    by  • 1/18/2012 • 0 Comments

    LIVE FREE OR DIE HARD – aka DIE HARD 4. This isn’t the best of the films for me, but I’d watch it over the second film anytime. I think the third film had its moments, but this one was more consistant. That said… For me, this is a film where technology is written somewhat [...]

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    Star Trek IX: Insurrection (37/17)

    by  • 1/17/2012 • 0 Comments

    STAR TREK IX: INSURRECTION – I liked the story here, with Data gone rogue right off the start. Again, it’s basically just a double length episode and could have played just as well on TV. There’s nothing special here, and it’s still not really a stand-alone film; there’s still a lot of issues with the [...]

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    Café de Flore (26/13)

    by  • 1/13/2012 • 0 Comments

    CAFÉ DE FLORE – There’s a lot that happens here in parallel narratives. Vallée’s use of music helps define the story, and may even help provide clues to the narrative if you have specific advance knowledge of a bit of trivia that you’ll likely only get from the credits. I wouldn’t have noticed had the [...]

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    A Dangerous Method (25/12)

    by  • 1/12/2012 • 0 Comments

    A DANGEROUS METHOD – Keira Knightly wins with her portrayal of Spielrein’s peculiar condition from the start. Freud and Jung (Mortensen and Fassbender), it’s all about sex. Maybe not what I’d have expected from Cronenberg; though I suppose that while it’s not a psychological film per se, it’s a film about psychology…

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