• Buying a movie for the third time

    by  • 8/1/2007 • geek, movies • 0 Comments

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    The upcoming “definitive” set of 5 DVDs (also available as a 4 disc set or a 2 disc set in some bizarre experiment to see how many people will buy all of them?) of Blade Runner finally gives us something that Ridley Scott has said would never happen.

    We get voice over.

    Yes, it’s a wooden delivery, and it has The Shining ending, but at least there’s no unicorn craziness. Also, it’s the version I remember seeing as a kid; the Directors Cut DVD that was released in 1992 was about as jarringly different as those Star Wars digital re-releases were to the true Star Wars geeks.

    Apparently there was some re-filming for this release too. They had me at voice over… and Amazon had it available for preorder…

    Order Date: August 1, 2007
    Items not yet shipped:
    Delivery estimate: January 4, 2008 – January 14, 2008

    * 1 of: Blade Runner (Five-Disc Ultimate Collector’s Edition)

    Product Description

    In celebration of Blade Runner‘s 25th anniversary, director Ridley Scott has gone back into post production to create the long-awaited definitive new version (blah blah blah) presented in a unique 5-disc digi-package with handle which is a stylish version of Rick Deckard’s own briefcase. In addition, each briefcase will be individually numbered and in limited supply. Included is a lenticular motion film clip from the original feature, miniature origami unicorn figurine, miniature replica spinner car, and collector’s photographs, as well as a signed personal letter (he better spell my name right…) from Sir Ridley Scott.

    Disc One

    RIDLEY SCOTT’S ALL-NEW “FINAL CUT” VERSION OF THE FILM
    Restored and remastered with added & extended scenes, added lines, new and cleaner special effects and all new 5.1 Dolby Digital Audio. Also includes:

    • Commentary by Ridley Scott
    • Commentary by executive producer/co-screenwriter Hampton Fancher and co-screenwriter David Peoples; producer Michael Deely and production executive Katherine Haber
    • Commentary by visual futurist Syd Mead; production designer Lawrence G. Paull, art director David L. Snyder and special photographic effects supervisors Douglas Trumbull, Richard Yuricich and David Dryer

    Disc Two

    DOCUMENTARY DANGEROUS DAYS: MAKING BLADE RUNNER A feature-length authoritative documentary revealing all the elements that shaped this hugely influential cinema landmark. Cast, crew, critics and colleagues give a behind-the-scenes, in-depth look at the film — from its literary roots and inception through casting, production, visuals and special effects to its controversial legacy and place in Hollywood history.

    Disc Three

    1982 THEATRICAL VERSION This is the version that introduced U.S. movie-going audiences to a revolutionary film with a new and excitingly provocative vision of the near-future. It contains Deckard/Harrison Ford’s character narration and has Deckard and Rachel’s (Sean Young) “happy ending” escape scene.

    1982 INTERNATIONAL VERSION Also used on U.S. home video, laserdisc and cable releases up to 1992. This version is not rated, and contains some extended action scenes in contrast to the Theatrical Version.

    1992 DIRECTOR’S CUT The Director’s Cut omits Deckard’s voiceover narration and removes the “happy ending” finale. It adds the famously-controversial “unicorn” sequence, a vision that Deckard has which suggests that he, too, may be a replicant.

    Disc Four

    BONUS DISC “Enhancement Archive”: 90 minutes of deleted footage and rare or never-before-seen items in featurettes and galleries that cover the film’s amazing history, production teams, special effects, impact on society, promotional trailers, TV spots, and much more.

    • Featurette “The Electric Dreamer: Remembering Philip K. Dick”
    • Featurette “Sacrificial Sheep: The Novel vs. The Film”
    • Philip K. Dick: The Blade Runner Interviews (audio)
    • Do Androids Dream of Electric Sheep Cover Gallery (images)
    • The Art of Blade Runner (image galleries)
    • Featurette “Signs of the Times: Graphic Design”
    • Featurette “Fashion Forward: Wardrobe & Styling”
    • Screen Tests: Rachel & Pris
    • Featurette “The Light That Burns: Remembering Jordan Cronenweth”
    • Unit photography gallery
    • Deleted and alternate scenes
    • 1982 promotional featurettes
    • Trailers and TV spots
    • Featurette “Promoting Dystopia: Rendering the Poster Art”
    • Marketing and merchandise gallery (images)
    • Featurette “Deck-A-Rep: The True Nature of Rick Deckard”
    • Featurette “–Nexus Generation: Fans & Filmmakers”

    Disc Five

    WORKPRINT VERSION This rare version of the film is considered by some to be the most radically different of all the Blade Runner cuts. It includes an altered opening scene, no Deckard narration until the final scenes, no “unicorn” sequence, no Deckard/Rachel “happy ending,” altered lines between Batty (Rutger Hauer) and his creator Tyrell (Joe Turkell), alternate music and much more. Also includes:

    • Commentary by Paul M. Sammon, author of Future Noir: The Making of Blade Runner
    • Featurette “All Our Variant Futures: From Workprint to Final Cut”



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